Filmmakers love the law for its suspenseful and dramatic qualities. They have turned to legal subjects from the very origins of moving pictures and continue to do so today. But do they accurately portray, or substantively distort, the legal processes that they depict? And whether accurate or not, what lessons can we learn about law–and about film–from examining the many films that portray police, lawyers, trials, and punishments? In this course, Amherst Professor Austin Sarat will discuss such classic movies as: Judgment at Nuremberg, To Kill a Mockingbird, Twelve Angry Men, and Dead Man Walking.